Joy Harjo's Web Log

Joy Harjo posts reports here on her trips and other happenings.

Wednesday, May 24, 2006

 

Che Guevara, LIghtning, and a Border Fence

May 24, 2006 Wednesday Honolulu

Watched the film based on Che Guevara’s diaries: The Motorcycle Diaries, and was inspired all over again to write, to fight for justice and compassion, and to go back into the classroom with renewed insight, inspiration. Coupled with the movie was a long conversation with an old friend, one of the country’s finest novelists. We often communicate in dreamtime. This is not unusual. I would say most of us do and aren’t aware of it. I’d dreamed of her this last year feeding lightning with cornmeal. And towards the end of the over forty day rainstorms that drenched and flooded O’ahu this winter I watched and felt a thunderstorm in the late afternoon. I have always been in awe and amazed by their expression of poetry, of power. I fed the lightning and realized how we feed everything by our thoughts and actions. Everything. The storms had come to clean the islands, and to challenge our patterns of thinking and being. I was grateful though it was difficult, especially for those who lost their homes, their lives.

The storm appeared to be moving away and then a tremendous crack and light. The power was coherent and my spirit went down on its knees. We were shaking: my spirit, the house, the earth, and my small-self. My friend told of a similar experience with lightning. She found the word I was searching for: visceral. That’s it. It’s how we learn, how we know. I did not learn how to write by first learning rules. I did it viscerally. I practiced, read, listened, fought, gave up, wallowed, danced. That’s how I want to teach, how to be—I am not a literary academic, though I respect those who are and do it well. I don’t read to analyze. I read to be inspired, to open up other pathways of insight, even technique. I read to be amazed, to be knocked down with awe. I read to comprehend the depth of the soul of another traveler, to make connection, to be connected, for coherence. And as I write this journey and craft it into a performance memoir I have to remember how to feed the spirit, how to keep going through the challenges of doubt, fear, failure, through a government that has been taken over by destroyers, those who have forgotten their own ancestors’ stories of immigration.

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