Critical Mass Web Log

2006

Most of my reading of late has been during long flights between Honolulu and the Mainland, beneath a swelling moon. Read more . . .

The Bloomsbury Review

Review of Native Joy

2005

In Native Joy, Harjo has given us not only the surprise of a new singing voice (the result of several years of diligent work), but a sax sound that creeps ever closer to that of Coltrane and the high standards she has set for herself.

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ABOUT.com

Native Joy For Real CD

2005

This is the work of a poet at the top of her powers.

Read more . . .


Poetry Reading

Evening of Native American

Women Writers

Joy Harjo is a multi-talented artist of the Mvskoke/Creek Nation. She is an internationally known poet, performer, writer and musician.


Interview

2005 Triplopia

Explore her writing and you’ll soon find it rich in the auditory imagery of dogs barking, the ground speaking and the moon playing the horn. And yet, sounds do much more than play to the senses in Harjo’s poetry. We recently had the privilege of catching up with Joy where we discussed the fusion of oral and written poetry, the responsibility of the poet, and the way music penetrates us all.  Read more . . .

Interview

Southern Scribe

The thirst for artistic brilliance.

Interview

There are, as it were, two different landscapes present in these poems you've given us . . .

Interview

Native American poet and musician Joy Harjo entranced the audience with poems of grief and happiness, womanhood, ancestry and an appreciation of nature.

Interview

A poetic voice grows and changes naturally, according the human it springs from. . .

Interview

In a strange kind of sense writing frees me to believe in myself, to be able to speak, to have voice, because I have to; it is my survival. . .

Women’s Media Center

Her Pueblo Round Place —

A Remembrance of
Paula Gunn Allen by Joy Harjo

2008

It was the summer of 1973 when I first met Paula Gunn Allen, the teacher and poet who was destined to create on her own terms a scholarly framework for native women’s culture.

Read more . . .

Terrain.org Interview
2007

Joy Harjo is a multi-talented artist of the Mvskoke/Creek Nation. She is an internationally known poet, performer, writer and musician. Read more . . .

This I Believe: A Sacred Connection To The Sun

2007

Joy Harjo is a multi-talented artist of the Mvskoke/Creek Nation. She is an internationally known poet, performer, writer and musician. Read more . . .

Winding Through The Milky Way Reviews

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StockholmsFria

Originating in the Music

2008

Joy Harjo is a poet and musician with roots in the Creek Indian culture and the American South. She visited Sweden to participate in the International Poetry Festival and Free Newspapers took the opportunity to meet her for a conversation on the origins and global awareness.

Read more . .

Interview

Creativity Radio

New Music Box

What Makes It Native?

2009

Brent Michael Davids (Mohican) maintains that there is no such thing as generic Indian music. "Hollywood might lead you to believe that the sound is of a pentatonic scale. That's from the Plains tribes, as are the headdresses, moccasins, horses that Hollywood depicts, but there are over 500 different tribes in the country," Davids explains, and the fact is that most Native music is very sophisticated and complex.
Read more . .

VIDEO Interviews

Artist’s on The Cutting Edge Poetry Reading

Nearly Unbearable Grace

Native American poet and performance artist Joy Harjo reads a selection of her work, and discusses the variety of influences (including music) on her artistic development.


Jim Lehrer News Hour

Joy Harjo is a multi-talented artist of the Mvskoke/Creek Nation. She is an internationally known poet, performer, writer and musician.

NAPT Radio

The Radio Project Brings Contemporary Voices to History Channel Series

Modern Day People from We Shall Remain

ALBUQUERQUE, N.M.

2009
It was only 20 years ago when poet, professor and musician Joy Harjo went to a gathering to discuss the Columbus quincentenary and heard an indigenous Bolivian woman say she was stunned to discover indigenous people still existed in the U.S. and Canada. It’s this portrait across the globe that Hollywood producers and the mainstream media have painted and romanticized—from the long-haired, bare-chested Indian riding horse back to the beautiful buckskin wearing maiden—even in modern times.


As the series We Shall Remain using such imagery debuted on PBS’ American Experience April 13, 2009, a companion radio piece also rolls out, which Native people say works to balance the historic visuals with sounds and conversation from contemporary people and culture—the remain part in We Shall Remain.


“It was really important to us to show the authentic Native voice from a contemporary prospective,” said Peggy Berryhill (Muscogee Creek), producer of the companion We Shall Remain radio project. “…And we felt that it was vitally important that tribes and Native communities are not left in the past, but seen as the dynamic sovereign nations that they are today.”
Hear an excerpt from Joy’s Interview

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PBS Series: We Shall Remain

See all 5 Episodes

Brent Michael Davids (Mohican) maintains that there is no such thing as generic Indian music. "Hollywood might lead you to believe that the sound is of a pentatonic scale. That's from the Plains tribes, as are the headdresses, moccasins, horses that Hollywood depicts, but there are over 500 different tribes in the country," Davids explains, and the fact is that most Native music is very sophisticated and complex.

The New Mexican

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